During my first ten years of glass making I was practicing and experimenting with all the different techniques to become a good craftsman. While doing so, I discovered a new kind of beauty in the fringes of the well crafted glass I was making. In the area of mistakes and faults - the unwanted air bubbles, ash marks, soot, cracks and crookedness - I found something that cannot be predicted or sketched beforehand. I set the established and traditional techniques aside and started making glass all "wrong" in an attempt to capture the good in the bad. Out of these experiments came the "Fossils", "Plants" and other objects - like frozen extracts of chaos to be watched undisturbed.
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